It’s been a week of clearing and tidying and getting our eye back on the ball after our wonderful weekend at Poltimore last week. We have been continuing our early workshops for Rogues and Wanderers (2nd,3rd, 4th November at The Bike Shed Theatre http://bit.ly/a1gZJY)
At the moment, we are taking it in turns to facilitate a workshop for the group. With each workshop, we are realising the extent to which we have a luxurious set of tools to play with as we explore each other’s more individual skills and expertise in these workshops. Even though, we all worked together at university at some point, we all took different classes and modules and had different experiences of making performance. This is now presenting us with an exciting opportunity to learn from each other and share anything that we have to put on the table.
May we take this opportunity to thank everyone who has been reading our blog so far. It’s really nice for us to be able to share our thoughts and justifications for what we’ve been doing. As we progress into more focussed rehearsals and we start to focus more on generating solid material, the importance of this blog will become more and more important in documenting our progress.
In the meantime, SourDough member Joe Sellman Leava would like to share his thoughts about the beginnings of SourDough Theatre and what we’ve up to this week. (We applaud him for approaching blog writing in such a creative way) Enjoy!
The first conversation
With every member of SourDough present seems like yesterday
But already months have passed
Already we have staged two different shadow puppet performances at Poltimore house
Already we have begun workshops and meetings to generate material for Rogues and Wanderers
As our show-making month of September draws closer
Between our day-jobs and our night jobs
Between our early starts and our late finishes
Amongst every obstacle that life places just a few feet in front of the rehearsal room
SourDough Theatre keeps moving forward
In the space of just one week, the SourDough kitchen has gone from a puppet workshop
With cardboard off-cuts and paper fasteners littering the floor
Designs and cutting mats on the work surfaces
And puppets pinned on the noticed boards
To a meeting room with people crowded round our tiny table
Talking through narrative structures
And character archetypes
And plot devices
Some of us come to workshops after early shifts
Some come knowing they face a late shift afterwards
But everyone engages with them fully
Immerses themselves in each one with every creative fibre they have
Everyone takes a turn in leading workshops
Guiding their collaborators through exercises
And placing their trust in those who guide them
And then there are conversations about the future of the company
Ones that map out our schedules in days and weeks
Or our rehearsal process in months
Or where SourDough will be in a year’s time
Conversations
That happen as we drag unwieldy chairs down old flights of steps
As we scribble notes by the laundrette window
As we polish glasses
And empty bottle bins
And pay our way through uncertainty
Conversations which remind us always why we’re here and what are goals are
And with each and every tiny breakthrough
With every baby step that takes us forward
Amongst the chaos and the calm
SourDough Theatre is working