Thought it was about time we posted a little update on what’s happening at the moment with The Ice Maiden.
We performed the work-in-progress version of our first act in the From Devon with Love festival and managed to get a lot of helpful feedback from it, which was the main thing we were looking for. A lot of our ideas went down well, people liked our aesthetic and we found out a lot about which sections were working better than others. From the feedback we got two main points – to push our more dramatic, aesthetically-interesting parts futher, and to give the whole piece more of a storytelling feel. Although we did have some bits which were quite like storytelling theatre, the theme was definetly lacking when you looked at the piece overall. Rather than having flats to function as wings, and blackouts to disguise scene changes, it was suggested we ‘don’t hide the strings’, integrate the narration in the action and have the actors sit on a bench at the back of the stage when not in a scene and other such ideas.
Although we had worked with other actors for that performance, we decided to carry on with just the three of us for the next stage of the project. Taking the feedback we tried to develop our script taking the new ideas into account but ended up hitting a wall. The concept of storytellers narrating the tale to the audience was integrated fairly easily, but there seemed no way around the fact that these characters seemed random, walking around the stage telling the audience this story for no particular reason. There were also problems with the plot, mostly from the character of Babette who we couldn’t escape simply being the ‘love interest’.
Therefore we decided we had to take a bit of a new direction with the piece. We looked at the plot and made it more centric around the main character Rudy, and decided to have him as a puppet throughout the whole piece, rather than just at the beginning. The plot changes opened up a lot of new potential scenes, and as we worked through a new script we tried to make sure sure that each scene had some sort of hook or device to it, and not simply be too reliant on dialogue (never one of our strong suits).
While we liked having storyteller characters narrate the whole piece, we needed a reason for them to be there and so they have ended up functioning as a framing device. It is now like it is being created by these storytellers as it goes along – the play is set in these creators’ rehearsal room as they struggle to come up with a new idea, and start writing this story. It allows us to be highly theatrical and acknowledge the storytelling themes, we can drop in and out of the action to narrate when we need to and we can show the strings as much as we want
We’re going to be performing in the Ignite festival in the Bike Shed and TheatreFest in Barnstsaple – so lets see if we can make this version in three months….