The Importance of Feedback

On Wednesday, we held a work in progress performance for some of our heroes. We invited our old lecturers, tutors and mentors from the University to come and see some of the material we have so far with the hope that they can offer us feedback and comment with fresh eyes on the what parts are working and what bits aren’t and how to push the piece further.

This is something we had been planning to do from right at the beginning of our rehearsal process. We wanted to do it for a number of reasons. In our experience of devising and performance making, it is easy to become precious and introvert about what your making and sometimes that is dangerous as it is easy to become too immersed in the process and lose sight of the an audience’s  journey through the piece.

Another reason is that, in devising, it is always vital to get fresh eyes on the work as they will always be able to pick up on something that you haven’t seen yourself and the feedback will tell you which aspects of the performance are working better and which aspects aren’t. This feedback then provides you with a new, fresh direction to push and develop your piece.

And this is exactly what happened. After a week of working on moments that have been born through play and work-shopping, we were beginning to develop a journey/narrative through these series of moments. But as we began to do this, I had started to feel my grip on what someone experiencing these moments for the first time will see slipping away. But just as I started to feel this, it was time for the work in progress session. Brilliant timing.

The feedback took the form of a lively discussion about physical language, relationships with text, sensual experience and how narrative and meaning is currently emerging. The discussion was fruitful and energetic and has therefore us given a revitalised energy to move on in our process.

The performance date is getting closer now and it is becoming more and more important that we don’t lose our energy and excitement for the piece and continue to work hard pushing and shifting and questioning and challenging. We have found that feedback helps you maintain that energy to keep running.

Monique Luckman

The meaning of Sour Dough

Shadow WorkshopWhile studying at university one of the common phrases thrown around during any devising process was that people shouldn’t be afraid of “killing babies”. Obviously this wasn’t meant literally, it of course meant that when creating work ideas should be treated as just that; ideas. An idea can change and shift, grow or shrink, or gotten rid of altogether. Every idea that is created through exercises or discussions should not be considered set in stone but in fact seen as something malleable. This is where we got the name “SourDough”.

Dough can be moulded, expanded, baked, shaped, stretched, added too and taken away from. Consider an idea as a piece of dough while making bread. Sometimes the dough is too big to fit in the tin before going in the oven and bits needed to be taken away but those bits would never go in the bin, but saved until the next loaf of bread needs to be made.

So here we have two different approaches to devising, killing your babies and making dough. For a while I simply stopped talking about babies and completely focused on my dough and every idea that was aired was treated as such, however over the course of Rogues and Wanderers the difference between the two has become totally clear to me, and has brought babies back on my mind.

Sometimes it is necessary to let ideas go completely. And these ideas are difficult to use in a future piece, a future loaf. A rule of a particular world for example which would not fit in any other project. However, a theatrical devise (like a box of matches, that can be used in so many different ways to achieve so many different affects) which can be moulded to fit another piece is dough, and if it does not fit in the piece that you are doing at that particular moment it should be wrapped up in cling film and put in the fridge. It is sometimes difficult to see the difference between the two and most of the time it is only in hindsight that the dough can be taken from the babies, but realising what can be saved is important. Killing a baby is sometimes hard work and people can find it difficult to let go of precious ideas, but if you look at it as dough that can be used again the disappointment is greatly reduced.

Ideas as DDancing with Shadowsough was introduced to us during a module in our second year by our tutor, we greeted it with giggles. However as time goes on, and we get more and more experienced with devising work the phrase has stuck with us and has now become an integral part of our language during our process.Shadows at work

Callum Elliott-Archer